Pre. Sonus Studio. Live 1. 6. 0. 2 Digital Mixing System. The most exciting small format digital mixer on the planet Presonuss Studio. Live 2. 4. 4. 2 and 1. Now Presonus has packed the same audio quality, performance, seamlessly integrated software including remote control into a smaller, even more affordable package. Small size. Bigger possibilities. In a footprint of less than 2 square feet 0. Studio. Live 1. 6. XMAX Class A solid state mic preamps. Well, okay, it actually has 1. XMAX preamps the Talkback input has one, too. But dont let its size fool you the 1. Studio. Live boards, and sounds every bit as good, with the same high definition, wide dynamic range, digital converters. Asio Fx Processor Levels' title='Asio Fx Processor Levels' />The ease of analog meets the power of digital. When Presonus designed Studio. Live, one of the primary goals was to provide a familiar interface that would keep all critical controls visible and accessible not buried inside multiple menus. Sit down at a Studio. Live 1. 6. 0. 2, and you see easily accessed, color coded function buttons for Mute and Solo rotary trim controls and clearly labeled, individual knobs for EQ and dynamics processing. Aux sends have their own physical controls. Every channel has a big, bright meter display. The master section comes complete with Talkback, Monitor, Cue, and a choice of control room sources looks just like the master section on an analog board but with far more power and flexibility. Bottom line If youve ever used an analog mixer, youll be right at home with a 1. Get the guaranteed best price on Unpowered Mixers like the Alesis MultiMix 8 USB FX Regular at Musicians Friend. Get a low price and free shipping on thousands of items. View and Download MOTU UltraLite mk3 Hybrid user manual online. Windows. UltraLite mk3 Hybrid Recording Equipment pdf manual download. This article possibly contains original research. 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And even if youve never used a mixer before, youll quickly be able to create professional mixes and recordings. XMAX Class A Preamplifiers. The XMAX preamplifier runs on power rails of 3. V. Most off the shelf, op amp based designs run on power rails of 1. V to 1. 8V. Higher voltage power rails deliver more headroom, deeper lows, smoother highs, and a richer overall sound. Discrete components not op amps. Presonus only use genuine transistors, resistors, and capacitors for ultra low noise and transparency. Op amps add noise, coloration, and harshness to a signal. Class A circuitry. Class A circuits have no crossover distortion and deliver purer, clearer, and more musical results than the Class AB designs that are found in many preamps. The net result of the XMAX preamp design is high headroom, low noise, wide dynamic range, extended frequency response, and most important musicality and transparency, with smooth highs solid, deep lows and everything in between. All of that is before the Studio. Live even begins to color and process the original signal. Studio. Lives Fat Channel processing has made a major splash in the pro audio industry, garnering universal acclaim for its ease of use, exacting audio integrity and ultimate musicality. With 4 band EQs, compressors, limiters and gates, DSP effects, 6 aux buses, 4 sub groups, extensive LED metering, mixer save and recall, channel strip saverecallcopypaste, talkback, and more, the Studio. Live breaks new boundaries for music performance and production. Jet. PLL synchronization technology. Ease of use and powerful features only count if the sound quality is equally impressive. After all, it really comes down to how clean the signal path is and how well the mixing algorithms perform. Thats why you should choose a digital mixer made by Pre. Sonus, a company already famous for its analog mic preamps, pristine digital interfaces, and well regarded signal processors. Ultra high headroom, 3. All analog inputs and outputs use the highest quality digital converters available, with 1. B dynamic range, for spectacular sonic results and unmatched musicality. Synchronization to your computer is stable and robust, thanks to Jet. PLL synchronization technology. Jet. PLL incorporates noise shaping to virtually remove all audio band jitter, ensuring near perfect clock performance and optimal converter performance when networking two or more digital audio devices. Jet. PLL quickly locks to any digital format through a wide range of frequencies and is extremely robust and tolerant of wide variations in clock frequencies. As a result, youll experience better stereo separation and clearer, more transparent audio. A gigantic console in a small package thanks to the Fat Channel. The Studio. Live 1. Fat Channel is loaded with a high pass filter on every channel and aux 2. EQ for every channel, aux output, FX bus, and main output 2. Engaged by pressing any Select button, the Fat Channel features extensive equalization and dynamics processing for every input channel, every aux output, the FX outputs, and the main outputs. The high pass filter and EQ algorithms deliver extremely musical results. The Wedding Day Wordpress Theme. Also included in the Fat Channel are limiters, plus compressors and a downward expander, providing extensive dynamics control. To let you get the most from all of this processing power without descending into menu purgatory, Presonus designed the Fat Channel with clearly labeled, physical knobs an ingenious, multifunction, 1. LED display an ingenious, multifunction, 1. LED display an in your face Selected Channel display and even a separate horizontal pan display. Its easy to instantly access any function and get clear, visible feedback. Not just effects. Effects youd expect from a 6. You get two programmable, 3. DSP effects engines, loaded with 5. The reverbs are so rich and detailed that you feel like youre there. Delays are precise. Slap echo sounds like old skool tape effects. All 5. 0 effects have easy to use parameter adjustment, tap tempo, and store and recall selection for the ultimate in creative flexibility. The Studio. Live 1. Whether Studio. Lives dozens of signal processors and 5. DSP effect presets were on gigundo channel strips, in a whopping rack of outboard gear, or neatly condensed into the Fat Channel, they have a lot of settings to remember and reset at every performance. Thats where the power of digital comes in Studio. Live never forgets. What was then is now complete store and recall. Two factors work against getting that Perfect Mix with an analog mixer. First, the Perfect Mix can be hard to reproduce a week, day, or hour after you perfect it. And second, a good mix should be dynamic levels, effects, and EQ should be tailored to each song or segment of the show, service, or presentation. Studio. Live solves this problem by letting you save all of your digital settings for quick setup and recall. The 1. 6. 0. 2s Fat Channel is well stocked with compressors, limiters, gates, phase reverse, high pass filters, and 3 band semi parametric EQ. Two stereo, 3. 2 bit floating point effects processors deliver delay and reverb effects. Studio. Live solves the problem getting of a Perfect Mix by letting you save all of your digital settings for quick setup and recall. Save Scenes that include every setting on the mixer. Save just the Fat Channel settings. Copy and paste settings across multiple channels and buses. Save individual DSP effects for ultimate ease, speed, and control. This means that for fixed applications like clubs, churches, and auditoriums, you can always count on the same sound. It means that you can fine tune Scenes for different songs and call them up instantly. And it lets rank amateur volunteers run the Studio. Live and achieve pro quality sound. Presonus has included a whole library of individual channel settings sample listing as starting points for optimizing the sound of instruments, vocals, and spoken word.